漢代四神紋樣特征分析與像素化應用研究
摘 要：本文希望將漢代四神瓦當圖形元素更好地運用于現(xiàn)代設計中，圍繞“傳統(tǒng)寓意”與“現(xiàn)代造型”兩大版塊，結合對四神紋的風格與特點的分析，對其現(xiàn)代應用進行大膽嘗試，逐步找到四神紋圖案設計的客觀定位與實用價值。以漢代四神瓦當圖形為基礎，對其進行元素提取以及像素化變形，實現(xiàn)傳統(tǒng)文化圖形與現(xiàn)代流行風格的融合，并對其圖形進行應用。提取蘊含于四神紋樣中的形態(tài)、色彩、隱性元素，通過獨特的藝術表現(xiàn)進行應用研究，有利于設計對象從形、神兩方面體現(xiàn)傳統(tǒng)文化的魅力。
關鍵詞：漢代四神瓦當；元素提?。幌袼鼗?；隱性元素
中圖分類號：J05 文獻標識碼：A
文章編碼：1672-7053(2017)09-0054-02
Abstract：The paper analyzes the style and characteristics of the four divine patterns, and makes a bold attempt to modernize the application of the graphic elements of the four gods of the Han Dynasty. In the modern design, the two aspects of "traditional meaning" and "modern modeling" And gradually find the objective design and practical value of the design of the four divisions. Methods Based on the theory of the gods of the gods in the Han Dynasty, the elements are extracted and the pixelized transformations are realized, and the fusion of the traditional cultural graphics and the modern pop style is realized. Conclusion It is beneficial to design the object from the shape and the gods to embody the charm of the traditional culture in the form of the form, the color and the hidden element which is contained in the four gods.
Key Words：han dynasty four god wadang; extraction element; pixelated; hidden elements
