透過奧拉維爾·埃利亞松的裝置作品看當代設計趨勢
摘 要：丹麥藝術家埃利亞松，從關注科技與視覺美結合的可能性入手，進行一系列的裝置藝術實驗，從而獲得對大自然魅力的重新發(fā)現(xiàn)；并結合梅洛·龐帝的知覺現(xiàn)象學，對理性下定義的思維方式進行批判，高度重視感性感知，讓世界重現(xiàn)他“不透明性”的神秘魅力；他的裝置藝術作品對當代設計的設計方法論有重大的啟發(fā)性作用，為當代設計發(fā)展方向點亮燈塔。
關鍵詞：感性的反抗；大自然的復魅；沉浸式體驗；設計方法論
中圖分類號：J11 文獻標識碼：A
文章編碼：1672-7053(2017)09-0095-02
Abstract：Danish artist Eliasson, starting from the possibility of the combination of technology and art are concerned, a series of experimental art installations, so as to obtain a redefinition of the nature of the charm; and combining the perceptual phenomenon Maurice Merleau-Ponty, the definition of rational mode of thinking under the criticize, attaches great importance to a sense of perception, he let the world return "the mysterious charm of opacity"; design method of his installation art works to the contemporary design theory has great enlightening role for the contemporary design’s development.
Key Words：emotional resistance; nature complex charm; immersive experience; design methodology
