葫蘆烙畫工藝創(chuàng)作途徑研究——以文水葫蘆烙畫為例
摘 要：葫蘆烙畫是以烙燙工藝在葫蘆表面進行圖像創(chuàng)作的一種民間工藝形式。文章以文水葫蘆烙畫為例，分析葫蘆烙畫工藝的創(chuàng)作方式，探討它與中國傳統(tǒng)書畫藝術(shù)的形式關(guān)聯(lián)、造型語言轉(zhuǎn)譯以及創(chuàng)作范式更新等問題，提出葫蘆烙畫工藝創(chuàng)作的三種途徑，分別為：葫蘆烙畫工藝中的范式摹仿、物質(zhì)載體轉(zhuǎn)換與造型語言轉(zhuǎn)譯、創(chuàng)作范式更新。通過對葫蘆烙畫工藝創(chuàng)作范式的研究，闡明葫蘆烙畫工藝創(chuàng)作邏輯的內(nèi)在結(jié)構(gòu)，以期為葫蘆烙畫工藝未來創(chuàng)新發(fā)展提供路徑參考。
關(guān)鍵詞：葫蘆烙畫；工藝；摹訪；轉(zhuǎn)換；轉(zhuǎn)譯；更新
中圖分類號：J528 文獻標(biāo)識碼：A 文章編號：1672-7053(2023)07-0116-03
Abstract：Calabash pyrography is a folk art form of image creation on the surface of calabash.Taking Wenshui calabash pyrography as an example, this thesis analyzes the creation mode of calabash pyrography technology craft, discusses its formal association with traditional Chinese calligraphy and painting art, formal language conversion and creation paradigm renewal, and puts forward three calabash pyrography craft process creation ways, which are as follows：Imitation paradigm, material carrier transformation and formal language translation, creation paradigm renewal.Through the research of calabash pyrography process creation method paradigm, the internal structure of calabash pyrography process creation logic is clarified, in order to provide a path reference for the future innovative development of gourd pyrography technology craft.
Key Words：Calabash Pyrography; Craft; Copying Visits; Conversion; Translation; Update
